Looking for a name for a fictional sports team that has a role in your story? Seeking the name of a real high school team or school nickname?
You’ll want to visit the website High School Nicknames.
On this site, you can find:
• Many, many high school team names, organized alphabetically (did you know that there are two US high school teams called the Aardvarks? How about a team called the Zebras? Would you believe, the Lawyers? The Sea Turtles? The Grape Pickers? The Pied Pipers? The Koalas?
• Top team names by state.
• Top team names across the country. Quick, what’s your guess for most popular high school sports team name?
After you learn that Eagles is the most popular high school sports team name, you might want to check out the teams at Junior Colleges, Four Year Colleges, and Professional Sports Teams.
I ran across some useful sources for character names today that I’d like to share.
• Native American names at Writing Adolescent Fiction/Character Names/Native American but be sure to carefully distinguish tribe-appropriate names.
• Wikipedia Category: Surnames a listing of a large number of surnames that can be searched by the first two letters
• White Pages.com, a place where you can see the distribution of a surname across the United States and also find out how popular it is
• Baby Name Data from the Social Security Administration, in case you have a question like: what boys names were popular in the U.S. in the 1890s? Data is available by decade and state, and you can also find popular names for twins.
• Baby Names World, a particularly useful name site because besides searching by name, you can search by a set of letters that appear at the start, end, or anywhere in the name.
Mieke Bal in Narratology: Introduction to the Theory of Narrative distinguishes between text, story, and fabula as a way of understanding narrative. What do these term mean and what import do they have for NaNoWriMo?
In Bal’s explication, fabula refers to the chronological sequence of events that underlies the narrative. Story refers to the way in which the fabula is presented—all the choices made about narration, dialogue, sequence, etc., all the artful choices that shape the way the fabula is revealed. And text is the final form through which the story reaches its audience, which in the case of NaNoWriMo is a given—a novel.
The distinction between story and text is initially unclear, I think, when Bal defines story as “a fabula that is presented in a certain manner,” because the word manner seems like it could encompass aspects of both story and text. One way to think of it is that a story of, say, the sequence of events that we know as Cinderella, that was decided to be completely done through dialogue and in chronological order still could result in a variety of texts including a puppet show and a play, or even an opera. The text is only the concrete form in which the story reaches the audience, it seems.
Theoretically speaking (and I say that because I have never done NaNoWriMo before and am not speaking from experience), the implications for NaNoWriMo seem to be that if a writer does not know the fabula before beginning, but is letting it develop simultaneously with the story, the scope for crafting the story in ways that are quite distinct from the fabula (such as, starting in media res and other approaches that take the story telling out of chronological order) are limited, as is the ability to lay groundwork earlier for what happens later, and the ability to present material in order to create an effect.
Add the admonition to “forge ahead” without rewriting, and it seems to me possible that a NaNoWriMoer could pour a lot of effort into a draft that will be closer to fabula than to story.
I’d be interested to hear from anyone who has thoughts about this.
After beginning chapter 6 of my NaNoWriMo novel yesterday, I stopped short and read chapters 1-5 all together.
There is—intentionally—a great deal of dialogue. The action of this novel is driven by communication.
But I realized that in focusing on that element of the story, I had not yet given sufficient attention to establishing place: there isn’t yet “a there there.” In considering this, I looked at several beginnings of books that bear some resemblance to mine: multi-volume works for YA and up, and found them all very quick to establish place.
I also realized that in focusing on establishing characterization and setting the plot in motion, I hadn’t given the depth of thought necessary to establishing the persona of my narrator and attended consciously to choices about how the reader will encounter the story that currently resides in my mind and an odd collection of scraps of paper, computer files, and iPod notes.
So, today my plan is twofold: to find ways to incorporate setting detail and to begin reading (in one case) and rereading (in the other) Narratology: Introduction to the Theory of Narrative by Mieke Bal and The Rhetoric of Fiction by Wayne Booth.
Even though I’ve been planning my NaNoWriMo (National Novel Writing Month) story—a YA and up mixed-genre fictional quintology—since 2005, in my first 10,000 words, I’ve already met some surprises:
I didn’t know that the story was going to have any significant part, let alone begin, in this world, and the addition of a major setting has led to the addition of a large number of new characters, some of whom will appear in only one scene and some of whom will be integrated into the rest of the story.
I didn’t have an approach planned, but my strategy of going back and revising when something written earlier bothers me —although counter to the general cry of “Write on! Never look back!”—seems to be working well for me, as far as comfort goes, if not word production.
At the moment, the element that I’m thinking will require the most smoothing when December rolls around is the narrator’s voice.
Now I’ll see if I can “catch up” on my word count.
Read my comments on being a NaNoWriMo newbie on Mike Geffner’s Blog, Mike’s Writing Workshop and Newsletter.
I’ve just added a blog post titled “Amazon and Authorship Credit” at my AmazonCentral page. It discusses how the Amazon.com site sometimes blurs the roles of those associated with making a book, for example, author and illustrator. Being both an author and illustrator, I can speak to the issue from several different perspectives.